Aime Maeght, was interested in me because I made some smears, and he introduced me, at his gallery, Giacometti, Miro, Braque (and still best). As well, you can not even imagine the intellectual stupidity of these people! Afflicted, but completely normal: they not interested in cause effect on his art. They do, and that, believe me, It is a pair of sacred spots (and that not everyone can do it). What I tell them is that there are people, like artists, who definitely cannot explain what they do, but they do it very well. Put another way, is not because someone could not explain what they do (would be a very bad teacher!) that can’t display them like you do. I’ve clarified the why, in my time, referring to artists, call them master. And not to flatter them: say teacher as in corporatism we say master craftsman. Well well, what did this teacher? He showed, in silence, mate, what he knew to do, and this, little by little a – lit, i.e.
lit a practice of that teacher. While most we climb, we climbed more. Artists, very down (Oh if we could pass them!). On the step, which is slightly lower than the artists, they have to plastics, which have some effect. But as they work, they tend to have a cause of what they do, they also. In the step below, historians of art, which do more than talk, and the climax, what he called transcendental aesthetics to the Malraux. Here we are in the middle of Nirvana, it is mystical delirium, i.e.
that us descarrilamos completely. And that, in general, is why philosophers who are virtuosos of this kind of sport. That in so far as the literary explanation by origin. I now go to the explanation for model. This will be brief. Why? Because no thinker, to date, never to modeling, and this would not be that you a small part of the art only one! Believe me, I’ve read enough about art (too, to tell the truth!). And well, the only book of aesthetics that r Professor of Institute for classical literature, first taught Linguistics at the Superior School of Beirut lyrics (University of Lyon), then he professed for ten years in courses of two years of preparation to competitions for entry of the Normal colleges (in Montpellier, then at Versailles). His career led him, on the other hand, to put at the service of the diffusion of our language and our culture abroad (Middle-East, Marocco, United Kingdom). He also had the honour to collaborate in the work of the service of the publications of the Academie francaise. Since 1991, is dedicated to their searches in medical anthropology, undertaken within the framework of the activities of the school of Reno (University of Haute Bretagne). Disciple of Jean Gagnepain, published an introduction to the theory of mediation at the editions De Boeck (2001), and currently contributes to disseminate the thoughts of the owner.