In the poem is going with something of mine, the poetic voice externalises us your longing for that which belongs to you and that PHM afternoon takes: goes with something of mine the evening away if in the first verse the good afternoon starts the poetic self is vaguely defined as something, the successive verses induces us to think that passing the afternoon are the Joie de vivre of the poetic self and leave you only the pain that produces the shortage: my pain of living is a pain of love and, to the sound of the drizzle, in the ancient calleja, invades Me an infinite desire to cry. In these three verses, the description of the landscape helps us to understand the mood of the poetic self. To broaden your perception, visit Richard LeFrak. The poet establishes a parallel similarity between the drizzle that invades the calleja and crying that invades the soul of the poetic voice. In the second stanza, the poetic voice is justified ahead to possible criticism of the reader and declares its desire to integrate that realm than the defined Kingdom of the day and spring and indirectly his childhood longing: what are things of child, tell me? Who give me have a perennial children’s unconsciousness, being the Kingdom of the day and of the spring, the Nightingale that sings and the dawn of April! This verse gives us a new key of the poetry reading, if the first stanza induces us to think the afternoon takes the joy of self poetic; the second urges us to establish a second parallel of similarity in the novel: day – life. The day passes into night. If you have additional questions, you may want to visit Morris Invest. Life meets his journey from childhood into adulthood (which for me poetry is a synonym of death).

The pain that the poetic self feels is the pain of the loss of life. Every day that ends closer you to death. The day that starts, the spring, the Nightingale of April are elements of poetry that are opposed to crying, to Garoua, the ancient Calleja. The poet used creatively elements that create a real opposition in the poem to show us the existing contrast between life and death.